Monthly Archives: March 2020

Twice baked potatoes

I know, the title twice-baked potatoes seems all too familiar. We have favorite double or twice-baked foods: twice-baked potatoes, New York style cheesecake, Zwieback (zwei in German meaning two, and back[en] meaning to cook, similar to American Melba toast), Italian Biscotti, and even biscuits a word which comes from the “French derived from Latin bescuit—words bis (twice) and coquere (to cook).” Many ways of being twice-cooked.

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Herzog et de Meuron Tavole House

Herzog et de Meuron Tavole House. Within the plethora of contemporary domestic houses, I continually return to study the Tavole House (Stone House) designed by Swiss architects and 2001 Pritzker Prize Laureates Jacques Herzog (1950-) and Pierre de Meuron (1950-)—the first Pritzker Prize given simultaneously to two architects.  

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Carlo Scarpa Gavina Showroom, Part 1

Carlo Scarpa Gavina Showroom, Part 1. Recently a former student and I discussed progress on the design of his infill project. He presented a compelling argument as to how his proposal emanated from an urban concept, and how he wanted to create—at the pedestrian level—a public and hybrid gallery space to accommodate various functions such as car shows, science fairs, a night club, a pickleball court, wedding venue, lecture hall, and movies theatre, all in addition to the required retail space.

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Ratatouille and Indian coconut curry shrimp

Ratatouille and Indian coconut curry shrimp. How often have I returned home and craved specific exotic flavors, even though the dishes didn’t make sense as a combination. Confronted with preparing the menu in my mind, my excuse was always that too many different ingredients needed to be purchased, or worse, that time was of the essence. Hence, I would mosey to a favorite Chinese, Indian or Vietnamese restaurant, or stay home and cook a favorite staple dish.

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Cultural appreciation versus appropriation —borrowing, copying, and being influenced

Cultural appreciation versus appropriation —borrowing, copying, and being influenced. I believe that there is no architecture without a careful understanding of precedent. Being Swiss, I was early-on made aware that one of the country’s strengths was that the concept of originality lays in the practice of reinventing rather than inventing new ideas.

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