All posts by henritdehahn@yahoo.com

Hotel Park Royal Collection Pickering, Singapore

Hotel Park Royal Collection Pickering, Singapore. Cities have always been close to my heart because of the many iconic places that endow them with a specific identity. For me, beyond a city’s historical monuments, the overall urban charm, historical grandeur, and regional cuisines, what I most cherish is a city’s distinctiveness in how it brings to life transient places such as hotel properties; properties which are often part of a heritage of historical and cultural significance. 

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People’s Park Complex in Singapore, Part 3

People’s Park Complex in Singapore-Part 3. Re-invention is what has always interested me professionally and as a teacher of architecture. Perhaps seen through a conceptual lens, the sketch below shows the simple yet straightforward transposing of a colonial morphology into a new modernist ideal of the 1970’s urban renewal program.

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People’s Park Complex in Singapore, Part 1

People’s Park Complex in Singapore, Part 1. There are some buildings that at first do not strike you. In fact, their demeanor reflects your preconception of what is good or bad architecture—an attitude that is far too often spontaneous and not rational enough to constitute a meaningful critique. For me, this was my dislike of the People’s Park Complex in Singapore.

“…a brutal high-rise slab on a brutal podium,” that is “in fact a condensed version of a Chinese downtown, a three-dimensional market based on the cellular matrix of Chinese shopping —a modern-movement Chinatown.”

            Rem Koolhaas and Bruce Mau, S,M,L,XL

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Tri-fold mirror

The history of mirrors goes back to the first human gaze in a pond of still water, which in around 6000 BCE evolved to become the ubiquitous object that we call a mirror. To create mirrors, man started with polished stone (or volcanic glass when available), later fabricating them from various metals, finally ending with rough polished man-made glass backed by mercury. This technique was invented in Venice, which during the Renaissance held the monopoly for the production of mirrors. 

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Chipperfield’s Kunsthaus in Zurich

Chipperfield’s Kunsthaus in Zurich. During a visit to the latest addition to the Kunsthaus in Zürich, Switzerland—an extension that opened October 2021 more than doubling the museum’s exhibition space and making it the largest cultural institution in Switzerland—I was first and foremost enthralled by the magnitude of the art collection.

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How to design a stair

What gets us safely up or down a staircase is a matter of law and engineering, the architectural uses of the staircase are a different issue altogether and the one cannot be replaced by the other—both are necessary. [1]

How to design a stair. Even though I have taught architecture students for over three decades, I still enjoy presenting them with this task. Not simply because the project brief calls for a building with several stories, but because stairs are never easy to design, especially for students, who need to first understand basic principles in order to make a stair comfortable AND to code. Designing prerequisite fundamentals (the stair) seems a natural way to engage students in a creative endeavor that is deeply anchored in pragmatism. 

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